on. As a trumpeter, Davis was never a virtuoso on the level of his idol Dizzy Gillespie but by 1947 he possessed a distinctive cool-toned sound of his own. His ballad renditions (utilizing a Harmon mute) were exquisite yet never predictable, he mastered and then stripped down the bebop vocabulary to its essentials and he generally made every note count; as with Thelonious Monk, less was more in Miles' music."
-- Scott Yanow, All-Music Guide
FILTER
Pink Floydis had quite a career, one with so many innovations that his name is one of the few that can be spoken in the same sentence with Duke Ellington. As a trumpeter, Davis was never a virtuoso on the level of his idol Dizzy Gillespie but by 1947 he possessed a distinctive cool-toned sound of his own. His ballad renditions (utilizing a Harmon mute) were exquisite yet never predictable, he mastered and then stripped down the bebop vocabulary to its essentials and he generally made every note count; as with Thelonious Monk, less was more in Miles' music."
-- Scott Yanow, All-Music Guide
FILTER
ad quite a career, one with so many innovations that his name is one of the few that can be spoken in the same sentence with Duke Ellington. As a trumpeter, Davis was never a virtuoso on the level of his idol Dizzy Gillespie but by 1947 he possessed a distinctive cool-toned sound of his own. His ballad renditions (utilizing a Harmon mute) were exquisite yet never predictable, he mastered and then stripped down the bebop vocabulary to its essentials and he generally made every note count; as with Thelonious Monk, less was more in Miles' music."
-- Scott Yanow, All-Music Guide
FILTER
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FILTER
"Miles Davis had quite a career, one with so many innovations that his name is one of the few that can be spoken in the same sentence with Duke Ellington. As a trumpeter, Davis was never a virtuoso on the level of his idol Dizzy Gillespie but by 1947 he possessed a distinctive cool-toned sound of his own. His ballad renditions (utilizing a Harmon mute) were exquisite yet never predictable, he mastered and then stripped down the bebop vocabulary to its essentials and he generally made every note count; as with Thelonious Monk, less was more in Miles' music."
-- Scott Yanow, All-Music GuideIII
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"Miles Davis had quite a career, one with so many innovations that his name is one of the few that can be spoken in the same sentence with Duke Ellington. As a trumpeter, Davis was never a virtuoso on the level of his idol Dizzy Gillespie but by 1947 he possessed a distinctive cool-toned sound of his own. His ballad renditions (utilizing a Harmon mute) were exquisite yet never predictable, he mastered and then stripped down the bebop vocabulary to its essentials and he generally made every note count; as with Thelonious Monk, less was more in Miles' music."
-- Scott Yanow, All-Music GuideIII
IIIIII
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So far away
Money for nothing
Walk of life
Your latest trick
Why worry
Ride across the river
The man's too strong
One world
Brothers in arms
llespie but by 1947 he possessed a distinctive cool-toned sound of his own. His ballad renditions (utilizing a Harmon mute) were exquisite yet never predictable, he mastered and then stripped down the bebop vocabulary to its essentials and he generally made every note count; as with Thelonious Monk, less was more in Miles' music."
e but by 1947 he possessed a distinctive cool-toned sound of his own. His ballad renditions (utilizing a Harmon mute) were exquisite yet never predictable, he mastered and then stripped down the bebop vocabulary to its essentials and he generally made every note count; as with Thelonious Monk, less was more in Miles' music."
-- Scott Yanow, All-Music Guide
Speak to Me
Breathe
On the Run
The Great Gig in the Sky
Money
Us and Them
Any Colour You Like
Brain Damage
Eclipse
n arms
llespie but by 1947 he possessed a distinctive cool-toned sound of his own. His ballad renditions (utilizing a Harmon mute) were exquisite yet never predictable, he mastered and then stripped down the bebop vocabulary to its essentials and he generally made every note count; as with Thelonious Monk, less was more in Miles' music."
llespie but by 1947 he possessed a distinctive cool-toned sound of his own. His ballad renditions (utilizing a Harmon mute) were exquisite yet never predictable, he mastered and then stripped down the bebop vocabulary to its essentials and he generally made every note count; as with Thelonious Monk, less was more in Miles' music."
-- Scott Yanow, All-Music Guide
3
PURCHA
LOOK`
2
Miles Davis - Trumpet
Harbie Hancock - Electric Piano
Chick Corea - Electric Piano Wayne Shorter - Tenor Sax
Dave Holland - Bass
Josef Zawinul - Electric Piano and Organ
John McLaughlin - Guitar
Tony Williams - Drums
e but by 1947 he possessed a distinctive cool-toned sound of his own. His ballad renditions (utilizing a Harmon mute) were exquisite yet never predictable, he mastered and then stripped down the bebop vocabulary to its essentials and he generally made every note count; as with Thelonious Monk, less was more in Miles' music."
(.txt)